“I won’t live in a mausoleum,” complains singer/composer Olya (Marina Vasileva), in Mara, of the grand if monolithic apartment building into which she is about to move temporarily with her husband Andrey (Semyon Serzin). “Come on,” Andrey insists more encouragingly, “it’s a constructivist landmark!” In a way, they are both right about the nature of…
