Blood Shed

Blood Shed (2017)

Blood Shed first published by SciFiNow “THIS FILM HAS BEEN MODIFIED FROM ITS ORIGINAL VERSION. IT HAS BEEN FORMATTED TO FIT YOUR TV.” So reads text at the beginning of Blood Shed, in an affectionately nostalgic reconstruction of the experience of VHS home-viewing – an impression that is bolstered by the fact that the familiar…

Bitch Ass

Bitch Ass (2022)

Bitch Ass had its world première at SXSW 2022 Bill Posley’s Bitch Ass opens in Academy ratio, with the title Hood Horror Movie Nights written in a cheap-looking font, and with the show’s host tapping out minor-key notes on a piano surrounded by cobwebs and dusty VHS cassettes. Turning to camera, he says: “I’m sure…

El Apego

El Apego (The Attachment Diaries) (2021)

El Apego (aka The Attachment Diaries) opens with a tracking shot that follows, from behind, a pair of legs in high heels, walking along a roughly cobbled pavement in heavy rain at night. This is pure film noir – an impression greatly aided by the strict monochrome presentation – yet this woman’s progress is intercut…

Stardust

The Legend of the Stardust Brothers (1985)

The Legend of the Stardust Brothers (Hoshikuzu kyôdai no densetsu)  first published by VODzilla.co While some of the details may have been embellished over the intervening years, the story goes that, back in 1985, 22-year-old Makoto Tezuka ran into musician and TV celebrity Haruo Chikada. It would turn out that each had something the other…

Adventureland

Adventureland (2009)

Adventureland first published by EyeforFilm Adventureland begins at a transitional point in its protagonist’s life. At a student party in 1987, 22-year-old James Brennan (Jesse Eisenberg) is celebrating his graduation, and is in the process of being dumped by his girlfriend – but at the same time he is looking forward to a ‘transformative’ summer…

Hatchet

Hatchet (2006)

Hatchet first published by Film4 Summary: Adam Green’s horror comedy resurrects Reagan-era stalk and slash in the Louisiana swamps.  Review: Still sore at being dumped by his long-term girlfriend, Ben (Joel David Moore) has had enough of all the heavy drinking and casual sex at the New Orleans Mardi Gras, and is trying to persuade his pal…

Reborn

Reborn (2018)

“Don’t worry, I’m method.”  With these words, young, entitled starlet Gia Fontaine (Alexa Maris) justifies her insistence upon improvising a scene (about a meeting between a long-estranged mother and daughter) before she has even finished reading the script pages. “Oh,” says Lena O’Neil (Barbara Crampton), rolling her eyes, “Got it.”. Middle-aged Lena – old enough…

VHYes

VHYes (2019)

It’s 25 December, 1987 in Jack Henry Robbins’ VHYes, and 12-year-old Ralph (Mason McNulty), on the cusp of adolescence, receives a camcorder for Christmas. Over the next six days leading to the New Year, Ralph obsessively documents not just his adventures – with his family and his best friend Josh (Rahm Braslaw) – but also…

Hallow's

The Terror Of Hallow’s Eve (2017)

The Terror Of Hallow’s Eve first published by SciFiNow “Does this make you feel tough? Does this make you want to be a big bad monster?”  It is Halloween, 1981, and 15-year-old “mamma’s boy” Tim (Caleb Thomas) has just been caught with a horror magazine by local bullies Brian (JT Neal), Spaz (Mcabe Gregg) and…

Crystal

Crystal Eyes (Mirada de cristal) (2017)

Crystal Eyes (Mirada de cristal) first published by SciFiNow There was a time when giallo was the height of fashion. In the Sixties, Seventies and Eighties, Italian thrillers were the very model of genre chic, bringing a splash of style, panache and colour to the Hitchcockian whodunnit, and showing the aesthetic angle – the ‘good side’…

Void

The Void (2016)

The Void first published by VODzilla.co Jeremy Gillespie and Steven Kostanski, the writer/director team behind The Void, are also two of the five personnel in Astron-6, a collective of Canadian filmmakers who specialise in closely parodying the very best worst aspects of Eighties genre cinema. You can see their hilarious handiwork in the Father’s Day (2011),…