13 Assassins first published by Little White Lies If 2007’s Sukiyaki Western Django refashioned Sergio Corbucci’s 1966 spaghetti western Django (itself heavily influenced by Akira Kurosawa’s 1961 Yojimbo) into a hyper-stylised post-modern reverie on the endless traffic between America and other cultures, then 13 Assassins, the latest film from Japanese cinema’s impossibly prolific bad boy Takashi Miike, similarly explores the beleaguered codes…
