Director/co-writer/editor/cinematographer/producer Pierre Tsigaridis’ feature debut is not only, as its title baldly states, a tale of two witches, but also of two halves, formally separated into two numbered and headed sections, ‘The Boogeywoman’ and ‘Masha’, plus a prologue and epilogue. In Chapter I, 27-year-old, six-months-pregnant Sarah Johnson (Belle Adams), already uncertain about her relationship with…
