Review first published by EyeforFilm Hellbound: Hellraiser II (1988), Spawn (1997), Hellboy (2004) and Constantine (2005) are just some of the horror films that have exploited the fire-and-brimstone iconography of hell for their sensationalist thrills, but occasionally cinema has also taken its cue from Virgil and Dante to explore more seriously the aesthetic, religious, philosophical and psychological aspects of…
