The Last Days of Capitalism begins with a moment of intimacy: impressionistic, soft-focus close-ups of a couple in the bliss of sexual congress, their two bodies become one. Yet in keeping with the title of Adam Mervis’ feature debut, this relationship is also entirely transactional, and doomed to come to an end. Not that…
The Dead Ones first published by Rue Morgue The Dead Ones opens with a film-within-a-film – a video uploaded to youtube entitled ‘Locker Room Dungeon Boy’ which depicts vicious bullies forcing the underwear-wrapped head of a male schoolmate down a toilet as they repeatedly call him ‘faggot’. The video has 11,240 views – a very…