Don’t Click first published by VODzilla.co Expanded by screenwriter Courtney Ellum from G-Hey Kim’s 2017 short of the same name, Kim’s feature debut Don’t Click begins where Oliver Assayas’ Demonlover (2002) ends – with a young man logging on to a secret site where, for masturbatory purposes, he can remotely view and even encourage (via…
Review first published by EyeforFilm As Franklin Guerrero Jr’s low-budget, straight-to-video Carver opens, we watch a terrified woman, tied up in a shed, begging a large, goggled man not to kill her as he holds her from behind and casually saws her head off, all to the accompaniment of an absurdly out-of-place hillbilly banjo traditional…
Review first published by Grolsch FilmWorks Sadik 2 is a film of two halves (and four discrete headed chapters). In its first half, six young men and women, all with troubled pasts (they know each other from earlier years spent together in a community home) gather in a rented wilderness cabin to usher in the New…
Review first published by Grolsch FilmWorks The most prominent feature in Brighton is a ghost. The West Pier, once a symbol of Victorian grandeur, is now inaccessible, burnt out and neglected, a skeletal shadow of the past – although the current construction of the i360 observation tower on the site offers promise of restoration, modernisation…
The Den (aka Hacked) first published by FilmDivider Restricting its point of view to the numerous minicams installed in an isolated house serving as a set for a reality show, Marc Evans‘ My Little Eye (2002) used an innovative narrative frame borrowed wholesale from contemporary programmes like Big Brother in order to expose the undercurrent of sadistic voyeurism…